Wednesday, September 17, 2008

First Cambodia Trip, 1995


In the fall of 1995, I remember I was at a production company in NYC talking to one of my regular storyboard clients about the beauty of courier travel. Basically if you were a lone traveler with a flexible schedule you could call up a number and listen to a recording about greatly reduced last-minute flights overseas to Europe and sometimes Asia, on major airlines.

All that was required was that you had to surrender any check-in cargo space for mounds of time-sensitive corporate mail that legally required someone to fill a seat to be sent. You also had to be able to leave within a few days or a week and only travel for a few weeks, but in return you got a round trip to various European capitals for usually $100.

To illustrate this to my client I dialed the number and listened. The recording listed a rare flight to Bangkok leaving in 2 days, round-trip costing $300. I jumped on it, and within days I was headed for 3 weeks to Southeast Asia again. It was to be for a week in Cambodia, a week in Vietnam, and a week in Myanmar (Burma).

But Cambodia ended up leaving deepest impressions this time.

Cambodia was a country I had planned to visit on a previous journey (the holiday visit in '94/95) but had to cut my trip short after 3 weeks in Vietnam. The reason for this was partly that I was in love with a new girl back in NYC. But a very strong reason, I discovered years later, was that I had been on Lariam, an anti-malarial drug. After the mid-nineties they took Lariam off the market because it was found that some people had delusional reactions to it. I was one of those people.

My last week or two in Vietnam, as I wrote intense self-scrutiny about my visit to the country as a voyeur, I began to go a bit crazy. Hanging out in Saigon by myself I grew increasingly paranoid about my mental health and what I was doing there. I felt like I was living in a Joseph Conrad novel and decided to cut my trip short to get back to familiar ground. I read years later that many people had this experience on Lariam.



Anyway, this time I was thrilled to have the opportunity to visit Cambodia . I had heard much of it's romantic settings and intense history. Aside from being notorious for it's terrible genocide through the late 1970's where as many as 2 million died, ( depicted in the "The Killing Fields" )
, it was also the center of an expansive and large kingdom dating back 800-1200 years ago.

Many of the crumbling temples from this time period still dot the countryside and jungles in the center of the country, at Angkor Wat. With massive banyan trees growing up through the ruins and the sounds of birds and monkeys in the air, it makes for a very romantic atmosphere. Apparently much of the region was covered with overgrowth until the 1850's when French archaeologists "discovered" it.



I'm grateful I got a chance to see the temples at this time, when it was still not too touristed. Today the temples are clogged with buses and private cars full of tourists. Large hotels line the road to Angkor Wat.

But in 1995, Cambodia was still an edgy country, with regular reports of train hijackings and highway robbery of westerners. Much of the Khmer Rouge responsible for the genocide, it's power waning, turned to desperate means. It was my Mom who, of course, unearthed an article of an American couple gunned down by bandits near the temples. The residual effect of this was clear when I visited some of the outer temples and found myself escorted by a lone soldier carrying an Ak-47.


Phnom Penh, the modern capital, felt itself like a Wild West town. I had read that many international criminals chose this city to lay low in, due to the lawlessness. The first democratic "elections" were held only a couple years before and Hun Sen was just starting to bring stability, but there was an unpredictability in the air at all times.

I stayed in the "Capitol" hotel, (from where I sketched, above) another notorious budget hotel with a checkered history. In Vietnam, among the expats, I heard stories of questionable types roaming the halls of the Capitol with pistols drawn late at night. But it was cheap and popular on the backpacker circuit, so I checked myself in and kept my valuables on me at all times.

While I was in Phnom Penh I had a motorbike guide take me out to Toul Sleng, a former high school that had been turned into a torture and interrogation center by the Khmer Rouge in the 1970's. Some 20,000 innocents passed through this place before they were taken a few kilometers away to the Killing Fields and executed.

I had a very sobering experience at both these locations. Rather than draw anything , I just recounted in text, my hours at the high school with an incredible woman guiding me. Later, on my flight back to the states, a nice young French couple saw this book and asked to look at the sketches. When the French man got to these pages and read the words, he openly wept on the plane. It still gives me the chills. And keeps things in perspective. Below:



The Killing Fields were down a few kilometers of rough road outside the city, much of it impassable except by motorbike because of damage from monsoon flooding. The site itself was quiet and breezy, tranquil. But one only had to look to the ground at their feet to see the bone shards, teeth, and shredded clothing left behind in the exhumed graves and realize the unchecked evil and tragedy that played out there years earlier.

The writing below is from a couple motorbike guys who would take me and another American, Chris, around. My guy was named Sonny and was an affable and street-wise young man who often bragged about a Swedish girlfriend he used to bang. He had fled the country as a young boy and grew up in Thai refugee camps, where he learned his English before returning to Cambodia.

About 5 years later I worked on a Matt Dillon film in Cambodia in the art department for 2 weeks. While I was there a young man in a baseball cap would come and go, quietly running errands for the Israeli propmaster. It wasn't until my last day that I suddenly heard this guy laugh out loud and instantly recognized him. It was Sonny and I reminded him that he had driven me around five years earlier. We reconnected and a year later I returned to shoot my own film and made Sonny one of the characters in the film.

Wednesday, September 10, 2008

Bangkok and Hue , June 1995


In June of 1995, I returned to Vietnam once again, my third trip within a year. I guess I was on some sort of vision quest as now I was determined to experience Vietnam with more focused awareness of how I processed things as a young American. In looking back, I was at a real turning point in my life.

I had been born in the city, grown up in the suburbs, gone to an internationally attended art school, and returned to the city. But nothing was challenging my sense of critical thinking like these trips to Vietnam. In order to make sense of it all and maybe validate the journeys I began to act as a reporter, covering myself in a sense. Eventually the data I recorded at this time became about 100 pages of an abandoned nonfiction novel.

So as not to bore anyone who doesn't care, two of the chapters I wrote around 1996 can be found by clicking HERE.

The chapters cover the same time period that I did the below sketches. On this trip I spent a few days in Saigon and about week or so in Hue.




Presented in greater detail in the chapter postings is my account of randomly meeting a married artist couple, Anh and Vinh, at the Art University in Hue. Both professors at the school, he was a sculptor and she a painter.
Speaking English with me, they very graciously invited me over to their house one afternoon where I spent about 4 or 5 hours drinking tea, looking at their artwork, and sketching portraits of each other.



Additionally in Hue I unexpectedly found myself in a very innocent romance with a local woman for several days. She and her family ran a popular restaurant and for some reason she found me worthy of her attention, so volunteered to be my guide to the countryside outside Hue. What made it especially interesting was that she was deaf and mute. (My old neighbor Steve, who used to hire me as a laborer in high school at his construction sites heard just those details and cried, "She sounds perfect!" as his wife rolled her eyes.)
These interesting and fond times are also written about in the chapters.



Also on this trip, I had two chance encounters with people in Saigon. I was hanging out with a recent grad in the expat bar "Apocalypse Now" talking about RISD, my alma mater.

" You went to RISD?" he asked, " That guy over there went to RISD too", pointing to Andrew, a stocky short guy with glasses across the room.

I went over and introduced myself to Andrew and talked for about 10 minutes before I stopped and really recognized him.

"Wait a minute! I know you. I painted houses for you one summer. You fired me!" This was true, but I hadn't recognized my old boss as he had cut off his long hair. Andrew broke out into a big smile at the weird crossing of paths.

" Frankly I was a lousy painter anyway" I confessed.

On another night, in another expat bar, Q-bar, I met Adam Yauch from the Beastie Boys. After introducing myself he showed interest in my sketchbook, telling me his father is an artist who always used to bring sketchbooks to family outings.

Adam was starting his first big non-concert trip through Asia with some high school friends. He told me later he was going to visit several other countries of interest, including Tibet. I guess it was on this trip that lead to his own personal quest as Tibet became a very big cause for him a couple years later. I understand he eventually even married a Tibetan woman.


Sunday, September 7, 2008

Vietnam - December '94 to January '95




Only 3-4 months after my first trip to Southeast Asia, I received a request to return to Vietnam from an advertising client of mine. Diane, a middle-aged single Creative Director from Jacksonville was fascinated with the idea of seeing Vietnam, but felt a bit uncomfortable as a woman traveling alone through a war-torn Third World country. I assured her it was completely safe, but agreed to join her since Vietnam was very much still on my mind.

Out of all the countries I had visited on the previous trip, Vietnam really lingered with me. In retrospect I have long come to realize that it was the power of myth that held sway over me. I graduated high school in 1986, but even at that time World History classes usually ended with the Korean Conflict and American society still was not regarding Vietnam as a lost war. The wounds still ran deep.

The closest I came to learning anything about the Vietnam War in an academic setting was during my World History class in 11th grade. It had been established that my teacher, Mr. Carson, a Vietnam veteran, had traditionally used the last day of the school year to discuss the war. I looked forward with some anticipation to this day, but it ended up being a series of anecdotes about a scared 19-year old sharing a foxhole in the jungle with a buddy with dysentery. Nothing about the politics of the situation. My education of Vietnam remained what movies and tv had fed me for years.

So that first trip began a process of peeling back layers and challenging the ridiculous myths I carried in my head. Like meeting a celebrity in real life, Vietnam was becoming more human to me. Though unlike meeting a celebrity, Vietnam was becoming more fascinating to me. Back in the States I ended up writing 40 pages of notes about an experience that was increasingly obsessing me

So gladly, I gave up a holiday with my family and headed back with Diane to keep journals of my experience. Eventually I wrote about 100 more pages of what I thought would be a book. Maybe it'll be another blog.

The pages below are from when I visited Qbar, an expat joint in Saigon. Showing my sketches to Thuy, a gorgeous bartendress, (who is sketched further below), she took my book and wrote out my first Vietnam language lessons for me.
I had little inkling at the time that Qbar would become my regular hang-out, 2-3 years later when I ended up living in Saigon.



Around this trip I also began to realize the nature and importance of the sketchbook process in my travels. With the previous recorded journeys, I ended up finishing a complete book on this trip. It felt good to have something so ragged, textural, and personalized to preserve the experience. During this time I began the habit of making subjects sign the book after I drew their portraits and even sometimes letting them take a shot at drawing me.


Diane and I spent the first few days in Saigon, before hiring a car and driver to take us up the coast, to the Central Highlands (which reminded me of a scaled down San Francisco region with the cool air, pine trees and mountains). From there we headed to Nha Trang, the beach town, to spend Christmas.

The local children loved Diane, who, with her Southern Belle demeanor and blond hair, looked as exotic to them as they to her. Thirteen years on, some of my most vivid and warm memories of that trip are when we pulled the car over to an anonymous roadside shack in Central Vietnam for a break from the bumpy ride. Diane spent the next hour making a score of local urchins laugh their little butts off with her imitations of farm animals.

Christmas Eve we spent at an open-air seafood place on Nha Trang's beach. A local vendor, savvy to the time of year for Westerners, wandered around selling sparklers. Diane, filling the role of Santa, would hand out some Vietnamese currency to a couple little kids to buy sparklers and light them for her on the beach before us.

This had the effect of tossing some crumbs of bread to just a few seagulls.

Before you knew it, there were about 10 or 15 little kids prancing up and down the moonlit beach with sparklers. With so much youthful joy on parade, Diane, who had no children, was in maternal bliss. With a beatific look on her face, she glanced over from the celebrating pixies and exhaled, " I'm in heaven."



We continued driving up the coast, stopping in Da Nang, Hoi An, up through the dramatic Hai Van pass with it's amazing coastal views and then down into the ancient capitol city of Hue.


Hue, once being the center for Vietnamese royalty, previously was the site of an extensive palace, hundreds of years old. Unfortunately, except for a few key buildings, much of this historic architecture was flattened during the Tet Offensive of 1968 when Hue was under seige.

At that time in 1994, when you wandered the grounds, it was not difficult to spot signs of this: broken tile and china, spent bullet casings and rusting smoke cannisters.

One rainy day, I climbed the to the top of the ancient wall that surrounded the old part of the city. Amidst a rubble-strewn pile of bricks I came across a brown piece of fabric, about the size of my sketchbook page. It had many tiny violent holes in it, as though from shrapnel, and appeared as if it torn from some NVA soldier's fatigues.

At this time I was beginning to get into the habit of collecting interesting textures to montage into my book, so I took it back to my hotel and laid it out to dry.

That night I had incredibly spooky and horrifying nightmares that freaked me out. In the morning I deduced that I may have been messing with some poor soul's final resting spot before departing this world. So I returned the fabric to the exact place I found it, hoping to restore any spiritual dignity I might have disturbed.

From Hue, Diane and I flew to Hanoi as the traveler's word of mouth had suggested that much of the land in between is flat and uninspiring, and really just many many more hours of bumping along the roads of a country with a weak infrastructure.


Hanoi was impressive in it's romantic ambiance, thanks to the extensive French colonial architecture that really defined the city, and the fact that some of the men over the age of 60 wore berets.

And of course, a trip to Hanoi isn't complete without a visit with Bac Ho, who lays in permanent state in a glass coffin within a heavy-handed Communist looking masoluem. No pictures allowed, of course and you're not allowed to stop the slow single-file shuffle, circulating at a distance from the old man in a very dark room. But Uncle Ho looked great.


After a few days in Hanoi, including New Year's Eve( which I drunkenly spent with a bunch of Belgians in the bar, "Apocalypse Now"), Diane and I went our separate ways. She elected to head in-country for a few days to the hill tribes of Sapa.

Entranced by the limestone formations I saw featured in the French film, "Indochine" I elected to head to Halong Bay. (Again, little knowing that several years later in Saigon I start what would ultimately become a close acquaintance with Linh Dan, the actress who played Catherine Deneuve's adopted daughter in that film. Small world.)


The journey to Halong Bay was about 4-5 hours over land by bus. About halfway there we had to stop, along with scores of other vehicles, at the Red River to await a tugboat to push a very large barge across the water to meet us.

Several weeks before I had packed nothing but clothing for warm tropical weather. Well, Northern Vietnam it turns out is friggin cold. I was wearing my one long-sleeve item, a silk jacket I had bought in humid Venice two years before - not too effective against the damp cold and windy air I was bracing against. As we unloaded off the bus for a bit, I sprinted for the line of bamboo shacks housing vendors who serviced the barge-waiting crowd.

Inside a group of young girls stood behind souvenir stands, enveloped in big down jackets and heavy mufflers. I desperately needed a scarf and no one spoke English. So I began to pantomime being cold (cross arms tightly and shake). They pointed to expensive down jackets hanging on the wall. It was too much of an investment for the two days I would be in Halong Bay, so I put my hands to neck and pantomimed wrapping something.

The girls stared back at me blankly with looks that said " Why is that white guy choking himself?"

Finally one girl's eyes widened in comprehension. She cried out excitedly and quickly unwrapped her own handmade scarf from her neck and sold it to me for two dollars. It was a red/blue/and purplish plaid number that I wore for years and eventually mourned it's loss after a rambunctious night out on the town in NYC.




Below is the portrait of Thuy, the bartender I mentioned previously. She was still working in Qbar a couple years later when I lived in Saigon. Thuy had a somewhat austere manner about her which, mixed with her exotic looks, could be kind of intimidating. But I remember on the last occasion that I saw her, on a flight from Saigon to Bangkok, she looked very different.

Thuy
was with her much older, middle-aged European boyfriend who was taking her back to his home country. It was the first time she was leaving Vietnam and coincidently, they sat behind me. From the time the Thai Airways flight took off to the time we disembarked at the large and very expansive Dom Muang airport in Bangkok, Thuy had this unguarded look of innocence and wonder, like a child who was entering Willy Wonka's world.

One of Qbar's Vietnamese patrons took a shot at drawing me and another patron, below:


The last pages of my sketchbook are often filled with writings, scribblings, directions and little notes from other travelers or locals as we tried to communicate something. The pages below are from a young woman who served me when I sat down in a cafe after wandering Hanoi alone for a few hours. She had long, very permed hair and said she was a design student. She said her spoken English was not as good as her written English, so took my book and wrote down the things she wanted to ask me.

Monday, June 23, 2008

Tulum, Mexico - May 2008


I've jumped way ahead in the timeline on this posting, in the interest of mixing it up a little. This was my most recent trip from about a month ago. (posting June '08)
My travels have tapered necessarily in the past year or two partly out of budgetary reasons (shifts in career and a relocation from east to west coast), but I haven't lost the bug.

Several of my dear old friends from school had arranged a trip to Mexico and had rented two houses on the beach in Tulum, on the Mayan Peninsula, about 70 min south of Cancun. It was to be Cary, his wife Sylvia, their 2-year old Tyler, my old RISD rooomate Sean, his wife Kelly, THEIR 2-year old Maya, Cary's childhood friend Sam, his wife Marie, THEIR one-year old TRIPLETS, and another RISD friend Shawn. And a nanny and another couple as well.


A month or two before, they called me to join them and incredibly, I balked at first. I had just moved to LA and was suffering from a lack of comfortable job flow and hence, cash. But fortunately they pushed for me and I stepped outside a myopic view of things to consider this: Much valued friends, each raising pre-schoolers, each mobilizing to vacation together in a foreign country, is a RARE and valuable moment to get on board with.


As it turns out I was asked to come work for my old company in NYC temporarily for an extended trip in April which helped easy the finances. So after I finished that stint, I mailed my fashionable blazers home to LA, went to the Gap to buy ONE pair of olive drab shorts, and jumped on a plane straight to Cancun.

Everyone else had arrived several days ahead of me, so when Cary and Sylvia picked my up in a slightly aged Toyota rental, they already had a visibly lower blood pressure than myself. Before heading to the beach house, we took a ferry over to Isla de Mujeres for a seafood lunch


Our beachhouse, above, was perfect. Rustic, breezy, quiet. Right on the beach of a lagoon. You could walk out about 5oo feet and only be waist high in crystal green waters that averaged about 90 degrees. You only needed to take a snorkel with you to see plentiful sealife in it's natural environment right out in front of the house.

The house was maintained by a paunchy and charismatic local named Ricky, and his wife Sol. They lived on the grounds in a small house with their three kids and completely made us feel welcome. Ricky would sometimes cook for us or run into town for beer. Always an entertaining presence, he would sometimes hang out for a beer or a margarita at our urging.

During midday, iguanas would wander the grounds looking for lunch. But my favorite animal was Pinto, the house puppy. He looked like the product of a Jack Russell Terrier and a beagle or something. Like some local doggie had scored a one-night stand with a visiting trendy doggie from el Norte during a previous rental .
Pinto was playful, attentive, and affectionate. (Sigh) I love Pinto. It was hard to leave him.





One of Tulum's points of interest are a vast network of hundreds of inland cenotes, or freshwater pools which you can swim or scuba in. Some, like the one we visited above, are dramatically subterranean, with vines snaking down a hundred feet from the surface. The pool is cool and reviving, but virtually bottomless.




We did a slew of snorkeling, kayaking, and even went to Xcaret, a sort of cultural Mayan Disney, but really it was nice enough just to sit in the shade and stare at the ocean for a few hours.
People back home later asked me if I got a deep dark tan. Hell, no. My sensitive Irish skin demanded I wear SPF 50 the whole time and stay out of the sun. It was pretty much 95 degrees F and sunny the whole time. And so humid I gave up trying to tame my curls after the first few hours.


As attractive as inertia was, Cary and Sylvia convinced me to take an overnight trip to Chichen-Itza, the main Mayan temple complex, a couple hours into the interior. We passed through a pretty nice colonial-era town called Valledolid (images below) but had no time to stop. Ancient Mayan architecture was calling.


At Chichen-Itza.We booked into a very nice hotel just at the edge of the temple grounds, so that we could walk over. Checking in at 4 pm, I heard the grounds close at 5pm, but I could probably slip in for free in the last hour. So I grabbed my sketchbook and ran over. The ticket people had already vanished for the night and I was able to get the below sketch done in the last hour.

When I returned to the hotel, I decided to look into the hotel bar. There at the semi-circular bar were about nine women having drinks. It turns out the women were all in a week-long holistic healing course of a sorts. They were on their last night of learning about healing ailments (emotional and physical, I guess) through sound vibrations.

I gotta say, I love my friends and their families, but the chance to get my flirt on after a week of being the lone single guy was too much to resist. I had a couple of laughs and glasses of wine with the holistic ladies until Cary and Sylvia appeared at the door with Tyler, waiting to eat dinner. They told me to stay, but I couldn't abandon the friends who brought me along. We ended talking to the girls later anyway after dinner.


The page above is a photo of Cary floating at the edge of the shore snorting salt water through his nose repeatedly to cleanse his sinuses of city dirt. He was mumbling something about tribal Africans doing the same, or something like that. I didn't really follow him, but he did say it cleared things out pretty good.


It was a great trip, and we all want to reassemble there again next year, maybe even with more friends. I loved being amongst friends, watching their families grow. I guess the only time it really caught up with me was the last night at dusk ,when I was on the roof watching the sunset by myself. The night before, over mojitos and Cuban cigars, Sam's wife, Marie, went around asking people what they wanted for themselves the next year. I answered to return with someone special to share it all with.

Wednesday, April 9, 2008

When the East meets a scruffy art school brat - September '94

This posting is a bit more text than sketches since my first trip to Asia was an epic assault on all my senses. I didn’t really start sketching until I returned on future trips when I was able to process the experience a little slower. (future posts)

In the fall of 1994, my roommate, John, a Merrill Lynch summer associate, told me he was flying to Vietnam for a week. With its romantic and war-torn past, it was too much for an American voyeur to pass up. I jumped on the opportunity to journey into this mythological place.

Europe? Whatever. See it, done it. I was ready for a challenge.

Unlike John, I had no vacation days to use up, as I had no job. I thought if I was going to the far side of the world that I might optimize and spend a week in Thailand, a week in Taiwan, and a week in Japan, as well. (this one trip alone gave me enough miles for a free round-trip domestic ticket.)

But I didn’t do any sketches of my first week in Vietnam for several reasons:

One, I was a bit over-whelmed by the country.

Two, I had a camcorder in my hand most of the time. But more importantly-

Three, because when you are traveling with non-artists there is very little time to stop and study a place longer than it takes to snap a picture. Then it’s usually on to the next place, instant memory captured. It made me realize how valuable my sketchbook was in really experiencing a place, really being in the moment.

Alone, I must sit for 30 or 45 minutes to do a sketch of a place. Doing this affords me to study the daily cycle of life on any given street corner – the sounds, the smells, the ebb and flow. Being alone invites locals to look over my shoulder and admire, which often results in me turning my attention to capture their great faces in my book.

I love doing this because often the people I draw are ordinary civilians or even street people. In almost all cases they usually are amused, momentarily embarrassed, and finally proud to be deemed important enough to be recorded.

But when you’re walking around with two other pasty-white guys bearing fanny packs and sweaty brows, the locals usually keep a distance.

In Thailand we met up with John’s American cousin, Rich-san, who came in from Japan with his Japanese girlfriend Tomiko. She in turn was meeting up with her Boston College roommate, a famous Thai pop-singer who went by the name Em. ( She apparently was known throughout the Thai kingdom for a song called “Sau, Sau, Sau” or something like that. My apologies to Em, wherever you are, if I really screwed that up.)

Em must have been famous since when we went to meet up with her in the lobby of the Oriental Hotel (regularly rated the top hotel in the world) all the local Thais turned their heads, wide-eyed, and whispered to each other in excited but hushed tones.

Em must have been famous since she took us to a very classy and posh restaurant that served Royal Thai cuisine where each bite was both extremely tasty and too spicy for my western mouth.

Em must have been famous since she pretty much wouldn’t stop talking about herself.

But she was nice about treating us all to lunch and she did think I was cute in a scruffy way. Still, had I known we were going to a fancy place ahead of time, I would have worn something a little nicer than my RISD sweatshirt, khaki shorts and sandals. Feeling a bit self-conscious about my budget traveler attire, I tried to keep my hairy bare legs hidden under the crisp linen table cloth.

The week in Vietnam consisted of a few days in Saigon, and a few days in Danang and Hoi An. The trip ended with me in the Continental Hotel truly believing I was dying from a 24-hour stomach virus, thanks to a bad batch of scrambled eggs from a hotel in Danang. There’s nothing like vomiting, shaking, sweating, hallucinating, and host of other horrors while your Mommy is on the other side of the world. But incredibly after 24 hours of that maelstrom, I was fine.

I’ll write more about Vietnam in future postings, though, as it became a very big part of my life in future trips.

After Rich and John took off for home, I hung out in Bangkok for another day or two, haunting the bars of Khao San Road, the backpacker ghetto. There I met two guys my age, Tim Murphy, a serious-minded Irish law student with round spectacles, and Chris Solly, an affable tall and skinny Englishman. Together we decided to brave Patpong, the legendary sex-bar district. You can’t go to Bangkok and not say you haven’t seen a goofy sex show.

So the three of us God-fearing souls, a bit nervous about entering a seedy sex club, agreed to pick one on the main drag, adjacent to where many tourists frequent a night market. Of course no sooner had we firmly decided on this than we got lead away by a young tout advertising a “cheap place”. He waved a little laminated menu in our face advertising beers for 50 baht (about 2 dollars) and a free show. The “cheap place” was through several winding dark alleyways and up a rickety flight of stairs, COMPLETELY out of site of the main drag.

Yikes.

We sat down, each had a beer and watched a lame sex show where bored little naked Thai girls performed tricks with their genitals. To our left, a fat drunk German blissfully sat in a dark corner as several naked little things massaged his stomach and giggled. Not finding the ambiance very settling we decided to pay for our “cheap beers” and move on.

When we got to the cashier, we were told we owed not 150 baht as promised (6 dollars), but 900 baht (36 dollars) and a sign that was not there when we entered was suddenly and conveniently produced, stating 300 baht a beer.

We had been scammed.

And, of course, our little tout was no where to be seen. Instead several muscular and menacing- looking Thais appeared in his place, surrounding us.

When we objected, the proprietor leaned over his counter and angrily yelled "You Pay 900 Baht NOW!!"

Tim tried to put up a lame argument which only resulted in the thugs moving in closer on us. His thinking was to firmly arbitrate a solution. My thinking was “ Let’s pay these fuckers, get the hell out of here, and chalk it up to a costly but funny anecdote, not a lesson learned the hard way as it appeared to quickly be moving towards.”

After a minute of the owner yelling at us to pay and fists becoming clenching, I slapped down the money for all three of us and pulled my friends away.

Outside, our Irish law student was still demanding justice, angrily repeating, "Let’s go to the fooking Police."

I voiced my skepticism at what the police would do, aside from laugh at us, but Tim insisted.

Well I was wrong.

At the local police stand, a senior police officer listened politely with an amused smile and then calmly swaggered back toward the bar with us in tow. When we turned a corner, our little tout saw us and suddenly ran ahead to the bar in a panic. We hadn’t even reached the bottom of the stairway when the owner and all the thugs came down with a pile of money.

The policeman didn’t even have to say a word. As the proprietor nervously doled out the baht back into my hands, the officer quietly maintained his amused smile. I mistakenly did some wrong math and looked at the owner, confused. The owner then just gave me the rest, effectively giving us free drinks, and then some

It was then that I learned that the Thai police want to protect tourists who visit the sex district. Apparently they are notoriously brutal on offenders to tourists. It’s a big source of revenue they don’t want to discourage, and lord knows what payoffs go on for the police working that beat.

Now that justice had been served and the three of us had become more discriminating in our ways, we picked a new girly bar safely on the beaten path. No gross Germans, just a naked Thai couple having sex on a Harley in the middle of the serving bar.

I left the slimy back alleys of Bangkok and headed up to scenic Chang Mai in Northern Thailand for a week, visiting mountainous temples, wadding knee deep through monsoon floods, and getting fantastic traditional Thai massages (legit, mind you) for about eight dollars per two hours. I also bought a cassette tape of Em’s songs and bragged to the impressed locals about how she took me out to lunch.

From Thailand I flew to Taipei, Taiwan to visit the family of my friend Sylvia, who was back in NYC. When I arrived her older uncle, who spoke no English, picked me up at the exit (holding a sign with my name) and drove me to her parent’s house. Most of the 30-40 minute drive from the airport was spent conversing through pantomime, grunts, and smiles.

As Sylvia’s father was a doctor, her family lived on the top of a four or five floor medical center in the middle of Taipei. They were very accommodating to this westerner, almost too much. At meals, although Sylvia’s younger sister and her parents ate family style, picking from many little dishes on the table, they always gave me a big plate with a sample of everything and a can of Coke.

The Won’s had an amazing collection of art in one room. Ancient ceramics seemed to be their specialty, but I was most impressed by a framed robe worn by the Last Emperor of China. They proudly displayed the depth of their ceramics knowledge at the excellent Taipei museum which has the largest collection of Chinese art in the world, thanks to Chang Kai-Shek and his buddies who fled the mainland with a pretty comprehensive booty.

Irma, Sylvia’s sister took me out one night to take in the Taipei nightlife. In 1994 it seemed to consist of two things: 1)cruising the outdoor markets for beans and shaved ice, then going to a tea house, or 2) karaoke. We did the former with a nice medical student that Irma was dating –SECRETLY dating apparently.

At the end of the night before we got back home, Irma took me aside and asked that I not tell her parents about the boy. It seems he was only 2nd generation Taiwanese, from the mainland. Her family was something like 7th generation Taiwanese and would never approve of him, regardless of how good he was for her. Like Maria and Tony, their love was forbidden.

Mid-week they sent me on a flight to take a day-tour of the Taroko canyons in Hualien. Most of the people on the tour were part of an organized group of Koreans who knew each other. That left out me, a young Taiwanese businessman with whom I chatted, and a short quiet Japanese guy who lingered nearby us much of the time.

One of the nicest parts of the trip, though, was when the Wons took me to a local park on the beach late one night for a full moon festival. It seemed bizarre but also appealing to me that families gathered to picnic and socialize under the soft light of the full moon.

I was quite a novelty for the little kids who stared and giggled at me as I stood on the beach with Sylvia’s uncle, engaged in a unique conversation. In lieu of a shared language we passed a stick back and forth, each of us drawing pictures in the sand to illustrate our points.

From Taipei I flew to Tokyo, Japan, which became one of my favorite countries to visit. I pretty much spent the whole week walking around the city by myself, except for a night out or two with Tomiko and her friends, a mix of business expats. ( I remember one was a sort of Chinese-American fratboy who was asked if he spoke Cantonese. “Nah, man!”, he replied, “I ain’t no low-class Chinese. I speak MANDARIN!”)

One of my discoveries on this trip was Japan’s awesome art book publishing world. The books are pricey but they are SO well made. The publishing industry there has such a reverence for visual artists. The art books are printed so nicely and so eloquently designed that it has since been a priority to troll the aisles for these gems every time I’m in Japan.

Another pleasant surprise was the ubiquitous presence of Ultraman, a childhood favorite of mine. When I was a latch-key kid in elementary school, home alone while waiting for my librarian Mom to return from school with my sister, Ultraman was one of my babysitters. He was just such a badass to me and my neighborhood friends, defending Japan from giant rubber monsters by shooting lasers from his hands in a karate-chop pose. In Japan he is as part of their popular culture as MickeyMouse is here. He's on subway posters, in tv commercials, and in toy stores everywhere. I couldn't resist picking up some Ultraman booty for myself.

(postscript: In re-reading this post, I just realized none of the places I linked to are displaying Ultraman anymore. It seems the long arm of copyright law does not want Ultraman consorting with renegade sites.)

I also took a bullet train out past Mount Fuji to Kyoto for a couple nights. Kyoto was absolutely stunning in it's serenity, once you leave the main town for the surrounding temples in the hills. I again checked into a traditional ryokan with tatami mattes, a futon bed and a Japanese breakfast in the morning.

When I checked in , I gave the proprietor a dirty jacket to clean, forgetting that its pockets held some cheap limestone carvings I bought from some kid vendors in Vietnam. When the laundry came back the proprietor realized the carvings had broken. I told them not to worry about it, but the next morning they presented me with a very nice embroidered silk wallet as an apology.
Have to love this country.

I spent a lot of time walking around Kyoto's ancient temples and rock gardens, visiting all the greatest hits. At the Golden temple there were tons of uniformed teenage schoolboys and girls on tours. Part of their assignment was to engage foreign tourists and try to speak a few words of English. In doing so they would present a welcome card they had handwritten which spoke of wanting peace in the world after the tragedy of Hiroshima. I received one card each from a boy and a girl. The messages were similar, but I noticed the boys put far less effort into the card -usually just some handwriting. The girls meanwhile put the boys to shame, decorating their cards with colorful designs and meticulously crafted illustrations of cute geishas.

I had an odd series of encounters in Tokyo. When I flew into Japan initially, I noticed the quiet Japanese man on my day trip to Taiwan’s countryside was on my flight. Later that night after checking in to a small neighborhood ryokan in the Ueno section of town, I was at the front desk when the SAME guy appeared, having checked in as well. We recognized each other and spoke a bit.

Tens of thousands of hotels in Tokyo and this guy ended up at the same place. Very odd. But it doesn’t stop there. Later in the week I went to a baseball game at the Tokyo Dome by myself (Yomiuri Giants versus the Hanshin Tigers – can’t miss that pairing) which seats about 55,000. Who shows up in my section alone? Yep. My quiet hotel-mate.

It was probably just a series of weird coincidences, not, as my parents suggested, that he was a spy for the Japanese government. I have a hard time believing that a nation known for pursuing unattainable levels of honor and perfection would produce such a lousy candidate. He had absolutely no talent for covert action.

Sunday, April 6, 2008

Paris the first time - May '94


Paris was the destination of yet another last minute courier flight I had purchased a day or two before departure. Although I had been to Avignon, this was my first time traveling without the benefit of bilingual speakers to guide me. I somehow managed to reserve a room on the Left Bank by telephone and fax with an old man who spoke broken English.

When I arrived at the place on Rue de l’Abbe de l’Eppe, a very elderly but spirited matron greeted me and began to rapidly question me in French. When she realized I didn’t understand her first question, she launched into another, and then another, in vain. I stood there like a deer in headlights, only able to muster “…uh” while she spouted out several exasperated “ooh, la, la!”s. Finally someone passing by translated. My room was not vacant yet, and I was to return in a couple hours.

It was a modest studio with a washbasin in the room, but shared bathroom. No television and just one lamp for reading. Simple but charmingly romantic for what one would expect from the Left Bank. It was six flights up on the top floor, with a small picture window that offered a view of the nearby Pantheon’s dome.



I loved wandering the Left Bank, browsing the music stands and bookstores and eating baguette sandwiches, romanticizing Paris enough to even buy a stamped copy of “A Moveable Feast” from Shakespeare and Co. bookstore. (a bit cliché but it I didn’t care.)

But after several days of climbing the stairs to my room with no a.c., I decided to try out the other side of Parisian life. Splurging, I booked myself into a more upscale hotel on the Right Bank, with elevator, a.c., television and a view of the Eiffel Tower.




As I mentioned in a previous post, I had gone to Paris not knowing anyone there, but ran into several women at different times. It seems the McKarma was in full effect.

At the top of the Georges Pompidou Center I ran into Tory Jones, a production designer from New York who was visiting Paris alone. We hit some bars and drank the fennel-flavored absinthe while Frenchmen eyed my companion not so discretely. When joining Tory for dinner with some of her local friends in the Bastille neighborhood, I spotted my RISD classmate Karen Park, dining across the room. We both did a double take and then I went over to greet her. We arranged to meet up at Les Deux Magots the next day for a beer. My social life was suddenly busier than back in New York.

Karen, an apparel designer, lived in Paris and had married one of my artistic heroes, Jean-Paul Goude, a renowned art director who is practically a national hero in France and with whom many want to associate. When I went out to dinner with Karen and her visiting brother, she mentioned how she and her husband had dined with David Lynch and Isabella Rosellini the night before.

After dinner Karen sent her brother and I off to a club where she had put us on a list - Les Bains, a model-ly nightclub which was indeed filled with stickwomen bearing vacant stares.





Later in the week, while sketching in the wide courtyard of the Louvre, I recognized another attractive RISD grad named Christina who had been on the road traveling for seven months. France was her last stop before joining her boyfriend back home. (damn!) So I had yet another platonic woman friend to hit the town with. One evening we tried to get standing-room only tickets to the opera, but after finding it sold out we hopped on the Metro to an outer arrondissment for an English-language screening of the Irish film , "The Snapper".

It was a great intro to Paris, but I made a mental note not to return again without a girlfriend or at least someone who was available (stay-tuned for future postings to see how that panned out.)




Roman Holiday, minus Audrey Hepburn - October '93



In the fall of 1993, I jumped on a last minute courier flight to Rome for a week, where I stayed with another classmate from RISD, Scott Stowell. Scott was a creative director for the late designer Tibor Kalman who had relocated his studio, M & Co. from NYC to Rome to start Colors Magazine for Benetton. Tibor was known for being a difficult rebel in the design industry. A subversive intellect, he believed most of his successful contemporaries to be lazy in their inability to provoke ideas and motivate change.
In their temporary loft in the middle of the active city with two kids, his wife Maira was a study in Zen. Tibor, spouting obscenities, however, was a study in restlessness and impatience. His urgency to establish a working design studio within the confines of Roman work ethics was driving him nuts. (Take one New York minute and multiply by 3 weeks)


Extending out from Scott's top-floor apartment, which he shared with another M& Co. employee, Charles, was a rooftop terrace. Charles took me out there the first day to show me how to feed "Atalanta". Atalanta was a 70-year old tortoise who had lived on the terrace all of her beautifully squat life. Anyone who had lived in the apartment over the decades inherited the obligation to care for Atalanta. She had lived through Mussolini, World War II, and about 6 Popes . However since she could not see above the 3 foot wall that wrapped the terrace, concerns for Fascist dictatorships took a back seat to the daily dose of lettuce leaves.




One of the best parts of Rome was dinnertime. Scott and Charles usually took me with friends to local neighborhood trattorias, where the menu was set and you sat at group tables out front on the sidewalk. I have never since had better pasta.


Often for lunch I would stop in at the local pizza joint downstairs from Scott's place, "Il Buchetto". They didn't speak English, but Scott taught me how to order a Roman slice: "Una margherita, chiuso, porto via." -One slice margherita, closed (folded over, Roman style) to go.
This was my mantra for awhile.



Charles also told me to watch out for bands of gypsy kids in the more touristed areas, who would pounce on you as a distraction while one tried to pick your pocket. This reeked of an urban myth so I didn't give it too much regard until it actually happened on Via Condotti (a designer boutique zone). Several gypsy kids suddenly converged on me, begging and patting my chest while a third reached into my coat.

I pushed them away and yelled what Charles had taught me:" Che cazzo?!!" (- What the fuck?).

The pickpocket pulled his arm out of my jacket with a Berlitz English-Italian translation book in his hand.

I tsked smugly and asked "You want it?"

He studied it for a beat, shrugged, and nonchalantly tossed it aside before joining his commrades who were already assaulting another couple.



I remember when I was sketching the Coliseum above, a middle aged American lady in white sneakers and fanny pack came up to admire. When she realized I was American she wondered, amused, if my mother wasn't concerned that I was so far from home.